ASSEMBLAGE & FOUND OBJECT ART - PERFECT FOR REPURPOSING MATERIALS

Assemblage art is defined by the Tate Art Museum as "art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or bought specially."

Found art, according to the Tate - "A found object is a natural or man-made object, or fragment of an object, that is found (or sometimes bought) by an artist and kept because of some intrinsic interest the artist sees in it."

There are all kinds of examples of these art forms dating back for many years. Pablo Picasso for example was a creator of assembly art. What I like about these art styles is the  scavenging for objects, often keeping them out of landfill when they no longer serve a purpose or have broken down, or repurposing them when coming across intriguing finds at a flea market or secondhand shop into something we can create.

As a fibre artist, I like to include non-textile items in my art pieces when it is appropriate to do so. After cleaning out my mother's old photo albums, for example, I repurposed the photos I didn't keep into painted backgrounds for stitching to make cards. Old cedar planks have become the backgrounds for other art. I've upcycled an old floor grate into a picture frame, and featured a backplate of a door knob in another artwork, surrounding it with more traditional fibre materials.

Old photograph with acrylic paint added, then stitched

The icicles picture at the far left includes cedar planks in the background. The picture on the stand is framed with an old floor grate, and has a doorknob backplate in the middle as it's anchor to build around.

October 19^th is Textile Tuesday – one of 5 themed days of Waste Reduction Week in Canada.

Lots of information is available online about the amount of textile waste that goes into landfill, the carbon impact of creating fabrics, how often we keep and wear clothing pieces, the role of plastics in textiles, and so on. And while lots of clothing is donated to thrift shops, not all textiles can be re-sold, some making their way to becoming rags but much more going into landfill. Information on these and more is on the Waste Reduction Week website at Textiles Tuesday | Waste Reduction Week in Canada (wrwcanada.com).

As a fibre artist, I’m tickled pink when we share leftover fabric and other various goods and when I'm offered used items. Sometimes this includes materials we may not have  experimented with or incorporated into our art previously, leading to some wonderful play and new ideas. 

What can we do to reduce textile - and other - waste?

Swap – As the saying goes, one person’s trash is another person’s treasure. I was recently gifted 3 pairs of jeans that were torn and no longer worn by their owners, which I’ve since started cutting up for a couple of projects. There is something appealing about deconstructing old clothing to use for a new purpose.

A group in my neighbourhood has held 2 clothing swaps of men’s, women’s and children’s clothing as well as bags and accessories. All clothing must be clean and in good condition. Clothing is free for the taking, with leftovers donated to Dress For Success.

I’m sure we’ve all donated clothing to thrift shops or church bazaars. There are a few places that will take old towels or bedding – animal shelters for example – but check with them first before dropping off your items.

Mend or Refashion or Repurpose

I spent the first lockdown last year learning to mend – repairing several shirts that had small holes and a jean jacket with worn elbows and cuffs – some with stitching, others by adding patches for a more artistic flair. I’m delighted with how they turned out and how this simple repair has extended the life of these pieces. 

A favourite was repurposing an old burlap bag into a backing for hanging jewellery in a picture frame (see post on this project).

And, as mentioned above, I've used bits & pieces of non-fibre and non-textile materials in my fibre art. 

Play and Experiment

Old fabrics are wonderful to experiment with: eco-printing, painting, fabric collage, re-purposing into patches, making fabric twine, rusting with old tools, practicing free motion stitching. And figuring out what non-fibre objects could be added, or using fibre techniques with alternative materials. 

My experimenting today was a piece of assemblage art I started this week: colourful maple leaves, paints and natural inks, and using printmaking techniques to add a subtle background of leaves to a cedar plank. 

When was the last time you tried making art from repurposed materials and objects?

TURNING NATURE'S ARTISTIC LINES INTO FIBRE ART

I've written only 2 blog posts since the pandemic started in my area. Like me, many of my artist friends felted blocked from creating for the first few months. Other than simple projects and finishing others, my focus turned to the outdoors, lots of walking, and to some projects around the house. Over time I did manage to get back into a creative mode, which for me is therapeutic. And while I haven't completed many new fibre art pieces, I have been able to play and experiment which is leading me in a wonderful new direction. 

Writing - and blogging - also felt like a chore. The enjoyment was lost. But I think I'm now getting my groove back and my hope now is to post once or twice a month. But if I don't, I plan to not feel any guilt. What matters is that I continue to create.

But I digress.

Two of my three posts since the virus hit here were about the faux chenille technique, otherwise known as fabric slashing. This is the technique I've been playing with, experimenting with various fabrics and some interesting materials, with adding dimension and embellishments. 

But to back up a bit first, having spent much time outdoors over the last months, I really began to look for and "see" the lines in nature - very artistic lines - which I am now attempting to translate into my fibre art.

This piece was based on the marks of the emerald ash borer on the ash tree. It's sad how many of these beautiful trees have been lost, yet the marks of the ash borer do have a certain beauty, a beauty I've tried to capture here. I used 7 different fabrics, sewing, cutting and tearing, heat distressing, and adding hand embroidery. 

Adding some dimension to this fibre art rose was trickier than I thought it would be. It was too flat at first after mounting it onto canvas, so I added some batting behind the middle sections, adding a bit of surface shape. It turned out not too badly I think. Next time I would add the batting and scrunch the surface more before mounting. 

I'm very pleased with this piece below. It's based on a piece of corrugated cardboard (see photo) that had been outside our shed in all types of weather. The colours and patterns on the distressed cardboard captured my attention, and I then interpreted it into this work,. It had 7 different fabrics: old cottons and linen, denim, a piece of indigo & rust dyed cotton, tulle, and a metallic fabric all mounted on a black felt background. Some beading completed the piece to add some of the smaller marks. This was the first time I had worked with denim, a fabric I will definitely use again. It goes with everything, as we know from wearing blue jeans, is soft and has a beautiful nature colour. 

There are others I've been experimenting with, incorporating alternative materials, and adding embellishments, in both 2D and 3D formats. I'm not there yet, and at least one project has me has overwhelmed. So I'm also turning for now to smaller dimensional works that are quick to finish, using these same techniques. But more on that in a future post.

Stay creative!